Theatre of Dionysus in Athens

Euripides - Orestes

W. Geoffrey Arnott, ‘Double the Vision: A Reading of Euripides’ Electra,’ Greece & Rome, 2nd Ser., Vol. 28, No. 2 (Oct. 1981) 179-192.

W. Geoffrey Arnott, 'Euripides and the Unexpected,' Greece & Rome, 2nd Series, Vol. 20, No. 1 (Apr. 1973) 49-64.

Helen H. Bacon, Barbarians in Greek Tragedy. (New Haven: Yale UP, 1961).

A. Bierl, 'Apollo in Greek Tragedy: Orestes and the God of Initiation.' in J. Solomon, ed. Apollo: Origins and Influences (Tucson, U of Arizona P, 1994) 81-96.

Francis M. Dunn, ‘Orestes and Tragicomedy,’ in Tragedy’s End: Closure and Innovation in Euripidean Drama. (Oxford: OUP, 1996).

Barbara E. Goff, 'The Sign of the Fall: The Scars of Orestes and Odysseus.' Classical Antiquity 10 Vol. 10, No. 2 (Oct. 1991) 259-67.

Karelisa Hartigan, 'Euripidean Madness: Herakles and Orestes,' Greece & Rome, 2nd Ser., Vol. 34, No. 2 (Oct. 1987) 126-135.

Masaaki Kubo, ‘The Norm of Myth: Euripides’ Electra,’ Harvard Studies in Classical Philology, Vol. 71 (1967) 15-31.

J. R. Porter, Studies in Euripides’ Orestes. Mnemosyne Supplements 128 (Leiden: Brill, 1994).

Freidrich Solmsen, Electra and Orestes: Three Recognitions in Greek Tragedy. Amsterdam: Noord-Hollandsche U.M., 1967.

John R. Wilson, ‘Eris in Euripides,’ Greece & Rome, 2nd Ser., Vol. 26, No. 1 (Apr. 1979) 7-20.