Theatre of Dionysus in Athens

Orestes & Electra Bibliography

W. Geoffrey Arnott, ‘Double the Vision: A Reading of Euripides’ Electra,’ Greece & Rome, 2nd Ser., Vol. 28, No. 2, Jubilee Year (Oct., 1981) 179-192.

Helen H. Bacon, Barbarians in Greek Tragedy. (New Haven: Yale UP, 1961).

A. Bierl, ‘Apollo in Greek Tragedy: Orestes and the God of Initiation,’ in Jon Solomon, ed., Apollo: Origins and Influences (Tucson: U of Arizona P, 1994) 81-96.

J. H. Kim On Chong-Gossard, ‘Song and the Solitary Self: Euripidean Women Who Resist Comfort,’ Phoenix, 57:3/4 (Autumn - Winter, 2003), 209-231.

Francis M. Dunn, ‘Orestes and Tragicomedy,’ in Tragedy’s End: Closure and Innovation in Euripidean Drama. (Oxford: OUP, 1996).

Robert L. Gallagher, ‘Making the Stronger Argument the Weaker: Euripides, Electra 518-44,’ The Classical Quarterly, New Series, 53:2 (Nov., 2003), 401-415.

Barbara E. Goff, ‘The Sign of the Fall: The Scars of Orestes and Odysseus.’ Classical Antiquity 10:2 (1991) 259-67.

Masaaki Kubo, ‘The Norm of Myth: Euripides’ Electra,’ Harvard Studies in Classical Philology, Vol. 71 (1967) 15-31.

Michael Lloyd, ‘Realism and Character in Euripides’ Electra,’ Phoenix, 2:1 (Spring, 1986) 1-19.

J. T. Sheppard, ‘The Electra of Euripides,’ The Classical Review, 32:7/8 (Nov. - Dec., 1918), 137-141.

John R. Wilson, ‘Eris in Euripides,’ Greece & Rome, 2nd Ser., Vol. 26, No. 1 (Apr., 1979) 7-20.

M. Wright, ‘Orestes, a Euripidean Sequel,’ The Classical Quarterly, 56:1 (May, 2006), 33-47.